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Largest Film School in the Northwest U.S.
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Ilona at Space needle with DVX100 camera

Filming Flowers in 16mm with Arri16mm

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  • Screenwriting
    • Screenwriting I
    • Screenwriting II
    • Screenwriting III
    • Screenwriting IV
  • Filmmaking
    • Fundamentals of Filmmaking - I
    • The Tools of Production - II
    • 16mm Film Production & Documentary - III
    • Editing with Final Cut Pro - IV
  • Digital Video
    • Intro to Digital Video
    • Intro to Digital Editing
    • The Creative Side of Editing
  • Editing
    • Art & Technique of Editing
    • Intro to Digital Editing
    • The Creative Side of Editing
  • Film History
    • The Language of Film
    • Great Directors: Robert Altman
    • Science Fiction Films
  • Producing
  • Directing
  • Seminars
  • Custom Video Training
  • Animation and Effects
    • Introduction to After Effects
    • Intermediate After Effects
    • 3D Animation I
    • 3D Animation II

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Heard On The Lot:

To be brash, the notion of being in Hollywood and just working on film sets is something I would love to have the opportunity to do.

— Brian Lawrence

Screenwriting

"With a good script, a good director can produce a masterpiece; with the same script a medicore director can make a passable film. But with a bad script, even a good director can't possibly make a good film."

-- Akira Kuroswa, Writer: Roshomon, The Seven Samurai, Ran.

It's no exaggeration to say that the script is at the heart of every emotional, creative, and practical decision that's made in the filmmaking process. An understanding of screenwriting is crucial to the filmmaking experience, no matter where a student's career ultimately goes.

  • Nuts and Bolts of Screenwriting
  • Structure and Process of Screenwriting
  • Screenwriting: Creating the First Feature-Length Draft
  • Rewriting & the Business of Screenwriting
‹ On Site Video Training up Nuts and Bolts of Screenwriting ›
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