Full Time Program Brochure & Application (56 kb)

Screenwriting

In Screenwriting students develop a fundamental awareness and understanding of script and dramatic structure that is crucial to understanding the filmmaking process. During the course of the program all students complete an original feature-length screenplay. The first trimester focuses on screenplay structure and the development of story ideas. During the second trimester, the emphasis is on overall story structure and specific topic areas such as writing dialog and character development. Students complete their screenplay during the third trimester. As part of the screenwriting program, students also deal with the business of screenwriting from pitching scripts to finding agents. In addition, it is during this class that students write the short scripts that are produced in the production phase of the program.

Elements of Filmmaking

Elements of Filmmaking concentrates on areas involved with directing, production design, producing, and the practical workings of the film world. The first trimester highlights very specific areas such as casting, audition techniques, working with actors, and art direction. The second trimester is oriented towards production management, budgeting and scheduling, and reinforcing both the pre-production and production skills that are needed to successfully complete both lab and out-of-class projects. The third trimester is geared to life after school. Here, students prepare their resumes and portfolio reels. Students also study grant writing and fund raising for documentaries as well as analyze patterns of producing, production, and distribution for projects including short films, independent features and major mainstream productions.

Film History and Analysis

Film History and Analysis provides an intensive grounding in film history and introduces students to the core theories of film criticism and analysis. The first trimester traces the history of film from its very beginnings to the end of the silent era. The second trimester focuses on the 1930’s and 1940’s and the development of the Hollywood studio system with a particular emphasis on genres such as film noir, musicals, and gangster films. The third trimester is devoted to international cinema and alternatives to Hollywood from the 1940’s to the present. During the class, students concentrate on the elements of film language that make film a unique medium—editing, cinematography, color, and sound. At the core of the film history program is the fundamental concentration on both the individual film and the underlying structure of film and filmmaking.

Tools of Production

Tools of Production focuses on developing both the creative and technical hands-on skills that are at the core of the filmmaking process. The groundwork in lighting, composition, storyboarding, and editing is set out in the first term of the program. In the second and third terms of the program, as projects become larger and more complex, students build on their basic skills and develop their craft in all aspects of production with a particular emphasis on cinematography, camera operation, editing and sound design. Over the 40 week program, students are involved in every aspect of pre-production, production, and post-production. In addition to individual projects, each student rotates through all the major crew positions including director, director of photography, camera operator, sound and editing.

Lab Day

Lab Day takes place for four hours each Friday. During the second and third trimesters, students use this time to complete projects using the school’s facilities. The lab time also provides a scheduled period of time where students can meet with each other to work on group projects. Students may also use this time for individual tutorials and faculty may also schedule additional classes during this time when appropriate.

If you have additional questions or would like an even more detailed description of the curriculum, please contact the Seattle Film Institute and ask for an Admissions Advisor.